Nothing More is an American rock band from San Antonio, Texas. Formed in 2003, the band spent much of the 2000s recording independent albums and struggling to maintain a steady lineup or attract record label interest. Towards the end of the decade, the band's long-time drummer, Jonny Hawkins, decided to switch to being the band's frontman and lead vocalist, stabilizing the band's core lineup along with other long-time members Mark Vollelunga (guitar) and Daniel Oliver (bass).
Warning! Deleting this artist may remove other artists and scrobbles from your library - please handle this with caution! Note: You can view albums tagged as 'Various Artists' in your library here. The term Various Artists is used in the recording industry to designate releases featuring contributions from multiple performers. It commonly appears on compilation albums or collaborative recordings where no single artist attribution applies. On digital platforms such as Last.
Warning! Deleting this artist may remove other artists and scrobbles from your library - please handle this with caution! Note: You can view albums tagged as 'Various Artists' in your library here. The term Various Artists is used in the recording industry to designate releases featuring contributions from multiple performers. It commonly appears on compilation albums or collaborative recordings where no single artist attribution applies. On digital platforms such as Last.
Thrashing power violence supergroup, Deep Jew, is a collaboration of sick fucking motherfuckers of the new wave of L.A. harsh-noise...Impregnable, Privy Seals, Toxic Loincloth, Haircut Mountain Transit...Black Monk, Oscillating Innards, JGod Willing, Persimmons Pomegranate...Utterly grotesque blast furnace extreme freakouts! Provides enough in the way of noise depravity for even the most adventurous lovers of sonic filth. Jeff Witscher (Impregnable)
Cosey Fanni Tutti (born Christine Carole Newby on 4 November 1951, in Hull, England) is best known as a performance artist and for her time in Throbbing Gristle and Chris & Cosey. Before both of these she was a performer with COUM Transmissions in 1969. Her addition changed the nature of the group which, when she joined, was still mostly a musical venture. From that point on, COUM performances became events or, in sixties parlance, happenings, involving props, costumes, dance, improvisation and street theatre.