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Mono/Kenn 7" - Beak>

Beak> is a project of Geoff Barrow (of Portishead) with fellow Bristol musicians Billy Fuller (Fuzz Against Junk) and Matt Williams (Team Brick / MXLX). Their self-titled debut was released in November 2009 on Barrow's own label, Invada Records. In contrast to Barrow's perfectionism when creating music with Portishead, Beak>'s debut was recorded live in one room with no overdubs or repair, only using edits to create arrangements. All tracks were written over a twelve-day session in Bristol, England.


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Butthole Surfers PCPPEP - Butthole Surfers

Butthole Surfers is an American rock band founded by singer Gibby Haynes and guitarist Paul Leary in Corpus Christi, Texas, in 1981. Incorporating elements of hardcore punk, psychedelia, heavy metal, avant-garde and performance art, their live shows has made heavy use of strobe lights, background films (of note, footage of penis reconstruction surgery) and naked dancers. The band has a well-reported appetite for recreational drugs, particularly psychedelics, an evident influence on their sound.


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A Scarcity of Miracles - Jakszyk, Fripp and Collins

With four of A Scarcity of Miracles' participants past Crims—Fripp; drummer Gavin Harrison, from the 2008 tour; bassist Tony Levin a longstanding alum from 1981 on, barring the 2000-03 lineup; and saxophonist/flautist Mel Collins returning after an absence of over 35 years, last appearing as a guest on the landmark Red (DGM Live, 1975)—it's a small leap to place it within the Crimson continuum. Add Jakko M Jakszyk, who managed to do the near-impossible—sing and play Fripp's knotty parts in the all-Crimson-alum tribute


#progressive rock #2011 #art rock #classic rock #space rock
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That's My Beat - Art of Noise

Art of Noise (also The Art of Noise) was an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with Kiss and the instrumental Peter Gunn, which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time.


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Cassandra Wilson (USA) - Women of Spirit ( Presents)